Galerie Bruno Massa

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office

12, rue Vivienne
75002 Paris, France

mob.: +33 (0) 6 61 00 10 33
via Viber & WhatsApp

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gallery

34-36 Abashidze Street, Vake
Tblisi, 0179, Georgia

mob.: +995 599 073 886

161-12, 1F, Samsung Dong
Gangnam, Seoul
South Korea

mob.: +33 (0) 6 61 00 10 33
via Viber & WhatsApp

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storage

unit 713 510-520 West 21st Street New York City, NY 10011, USA

mob.: +1 917 512 5339
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email

contact@galeriebrunomassa.com

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mentions légales

© 2020

PHILIP HEARSEY
Eternity
November 9th 2020 – January 29th 2021
ONLINE VIEWING with ARTNET


Philip Hearsey born in 1946 is an experienced British sculptor who has exhibited his work throughout the UK. He specializes in sand casting to make sculptures that engage the quality of bronze as a noble material in its own right. Casting in sand moulds is a simple and ancient method far removed from the sophisticated lost wax operation used by most art foundries. The sand casting process is relentless and unforgiving – the foundry is no place for a delicate original. It denies a complexity of form that imposes a disciplinary and enriching simplicity. Color is achieved in many ways. The most common and widely used method is to oxidize (patinate) the bronze by employing the same chemical reaction that occurs in nature, but using a combination of mild heat and stronger solutions to achieve a faster result. Patination can be enhanced by the application of a transparent colorwash that maintains the inimitable variegated effects that are possible with oxidization, whilst producing a more vivid finish. The most usual colorwash is acrylic, but oil-bound washes or colored waxes are sometimes used. Coloring can also be achieved by painting alone and often this technique is utilized on part of a sculpture in combination with patination. Painting allows a greater range of colors than patination alone. All coloring is finished and protected by a marine grade lacquer and/or wax.

Philip lives and works on the Welsh borders of Herefordshire – a beautiful place, still remote and largely unaltered, landlocked and very slow in change. This is in sharp contrast to the coast that he also loves, where everything changes twice a day with the rise and fall of each tide.



Acanto I
2015
bronze
43 x 28 x 14 cm - 16,9 x 11 x 5,5 in



Skydancer III
2018
bronze
69 x 26,5 x 22,5 cm - 27,2 x 10,4 x 22,5 in



Cycles XII
2015
bronze
45 x 39 x 10 cm - 17,7 x 15,3 x 4 in



Warp
2020
bronze
48 x 25,5 x 11 cm - 18,9 x 10 x 4,4 in